mixer re-recording in North America, also known as dubbing mixer in Europe, is a post-production audio engineer that combines recording dialogs, sound effects, and music to create the final version of the soundtrack for widescreen movies, television programs, or television commercials. The final blend must reach the desired sonic balance between its various elements, and must conform to the original vision of the director or sound designer for the project. For material intended for broadcast, the final mix must also comply with all applicable laws governing sound mixing (eg, CALM Act in the United States and EBU R128 loudspeaker protocols in Europe).
The different names of these professions are both based on the fact that the mixer does not mix live performance to a live audience or record directly on a set. That is, he is recording recorded sounds elsewhere (the basis of the North American name) after passing them through mixing equipment such as digital audio work stations and can be dubbed in additional votes in the process (the basis of European names). While mixing can be done in a recording studio or home office, a full-size mixing stage or stage dubbing is used for feature films intended for release to the cinema to help the mixer imagine how the final mix will sound so great. space.
During production or early post-production parts, sound editors, sound designers, sound engineers, production sound mixers and/or music editors assemble tracks that are the raw material for recording mixers to work with. The tracks in turn come from sounds created by professional musicians, singers, actors, or foley artists.
The first part of the traditional recording process is called "premix." In the premix dialog the recording mixer performs the initial processing, including making initial loud adjustment, cross fading, and reducing the noise or spill environment triggered by the on-set microphone. In many ways, audio recovery software can be used. For film or television production, they can add a temporary/permanent music track to be prepared by the music editor, then the resulting work will be previewed by the test audience, and then the film or television program is cut back and the soundtrack should be mixed again. Recording recording can also increase or minimize audience reaction for television programs recorded in front of a studio audience. In some cases, laughter tracks can add to this reaction.
During the "final mix" recording/dubbing mixer, guided by the director or producer, must make creative decisions from time to time in each scene about how hard each major sound element (dialogue, sound effects, song and laugh music) must be relative to each other other. They also modify individual sounds when desired by adjusting their loudness and spectral content and by adding artificial echoes. They can put sound into three-dimensional space from the listening environment for different places and release formats: cinema, home theater system, etc. Which has a stereo and multi-channel sound system (5.1, 7.1, etc.).
Video Re-recording mixer
References
- "Rewinder recorder". Skillset . Retrieved 2014-07-24 .
Source of the article : Wikipedia
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