mashup (also mesh , mash up , mash-up , blend , < b> pirated and bastard pop/rock ) is a creative work, usually in the form of a song, made by combining two or more previously recorded songs, usually by lining the track vocals one song seamlessly over other instrumental tracks. To the extent that the works are "transformative" from the original content, in the United States they can find protection from copyright claims under the doctrine of "fair use" of copyright law.
Video Mashup (music)
Synonyms
Mashups are known by a number of different names:
- Bootlegs (mostly in Europe, not to be confused with unofficial remixes)
- Boots (but not "booty" which is an electro-branch)
- Mash-up
- Hacked hack
- Smashup (or smashup)
- Bastard pop (as in unofficial composite songs, this term is rarely used anymore)
- Mix
- Cutups (or cut-ups, a term originally coined by William S. Burroughs to describe some of his literary experiments literally "cutting" different texts and rearranging pieces to make new work.)
- Powermixing (usually speed must be accelerated to allow more songs to be played and thus can not play any mixes for track length)
- Crossover, but in mashup, or version vs version.
In addition, more traditional terms such as "edits" or "remixes" are not legally "favored by many" liquor makers "(also known as 'leggers').
Maps Mashup (music)
History
The practice of assembling new songs from the gripped elements of other songs stretches back to the beginning of the music recording. If one expands definitions outside the pop field, precursors can be found in music concerts, as well as classical practices (re-) organizing traditional folk materials and interpreting jazz standards. In addition, many elements of mashup culture have antecedents in hip hop and DIY punk ethics as well as overlap with free cultural movement.
Precursors
The Flying SaucerIn 1956, Bill Buchanan and Dickie Goodman released what they called "break-in" songs, (ie the material of one song would be "break-in" to another) called "The Flying Saucer". The song, a reinterpretation of Orson Welles celebrating the War of the Worlds mock-emergency broadcast interspersed with musical pieces that dramatically dramatized the broadcast's broadcast, spawned an imitation raft. Goodman had several other similar hits in the 1960s and 1970s.
New note
There are a number of novelty notes and one-off hits that have included unclear samples. The song "Your Woman" by White Town displays an unqualified sample of the 1932 song "My Woman" by Lew Stone Band taken from the Dennis Potter series soundtrack Pennies From Heaven . Other notable bootoffs include DNA dance remixes from Suzanne Vega's "Tom's Diner" (1990) and "You Got The Love" by The Source featuring Staton Temple (1991). Vega received quite a lot of unwanted mixes from his song (a cappella), and eventually brought out all the mixed CD's "Tom's Diner", one of the famous examples of "Jeannie's Diner", where a stanza that was changed based on Vega composition illustrates the premise of a sitcom "I Dream of Jeannie". "Tom's Diner" will probably be the first song that "mash mixed" as we now know the process.
One of the series is John Morales' (then half of M and M production) "Deadly Medleys", where he mixes up the disco hit of the moment to form a consistent-beat collage. In the late 1970s and early 1980s, Dutch producer Jaap Eggermont produced the Star on 45 series of recordings. These records attempt to cram as many hits into space from a three and a half minute pop song, and more accurately described as medleys. A similar series by Mirage in the late 1980s took this even further by accompanying the songs on the recording of "Jack Mix" so it was very close to the mashup then.
Singer-producer Jonathan King anticipates the mashup genre with several new singles. In 1987, King accused the Pet Shop Boys of copying Cat Stevens' "Wild World" melodies for their song "It's A Sin". To prove it, King recorded a version of "Wild World" with a setting almost identical to "It's A Sin". The king performed an analogous act with the version of "He's Very Good" by The Chiffons arranged in George Harrison's "My Sweet Lord" style, making a rogue reference to plagiarism according to the similarities between the two songs.
Little Roger and Goosebumps released their single "Gilligan's Island (Stairway)", later renamed "Stairway to Gilligan's Island" in May 1978 on their own Splash Records label. The song combines the lyrics to Gilligan's Island's theme song "Gilligan's Island" with "Stairway to Heaven" music by Led Zeppelin. Then in 1978, Damaskas and Barnes & amp; Barnes was inspired by Little Roger and Goosebumps to record "A Day in the Life of Green Acres," a song that incorporates Beatles' "A Day in the Life" music with the lyrics of the theme song from Green Acres television show .
Frank Zappa
In the 1970s, Frank Zappa developed a technique he called "xenochrony" in which guitar solos were extracted from his original context and placed into a completely different song. The recorder calls this a "Ampex guitar". In his rock opera Joe's Garage (1979), for example, xenochrony Zappa can be heard on every song other than Watermelon at Easter Hay .
"Rubber Shirt" from Sheik Yerbouti's album consists of bass tracks and drum tracks taken from two different live performances together in the studio.
John Oswald
John Oswald has been designing unauthorized compositions since the late 1960s. Her 1975 "Power" Track married the Led Zeppelin guitar fanatics to the insistence of a South American evangelist at the same time as hip hop discovered the potential of the same (and related) materials. Similarly, his 1990 song "Vane", which pitted two different versions of the song "You're So Vain" (the original Carly Simon and cover by Faster Pussycat) against each other, is a blueprint for a contemporary mashup subgenre, a mistake pop. Oswald coined the term "plunderphonics" to describe his unauthorized craft. In 1993, he released Plexure . Perhaps arguably his most ambitious composition to date, he tried to transmute CD music history up to that point (1982-1992) in a 20-minute collage of confusing complexities. The ambition of this piece will then be remembered by British shoe seller Osymyso, whose "Intro-Inspection" captures the pop-junkie feel of Plexure . Osymyso, who at the time was unaware of Oswald's work, used the same structure of an accelerator (setting the source material in order from the slowest to the fastest tempo) to connect several bars of each 100 songs, creating a simpler sound than thousands of overlapping and morphing "electroquotations" pop in Plexure .
Pink Project
In 1982, Italo disco composer and producer Stefano Pulga, under the name of Project Pink, had a great success with "Disco Project", a fully re-recorded version of The Alan Parsons Project's instrumental song "Mammagamma" (from the album Eye in the Sky ), using "Sirius" (from the same album) as an intro, and featuring a vocal schoolchild (also completely re-recorded by the female session vocalist) of Pink Floyd "Another Brick in the Wall, Part 2 "above the Parsons track. Technically more like a cover version of the medley (because it does not include elements taken directly from the original recording) than to mashups, but the tape was still identified with the newborn genre by Italian radio DJ.
Negativland
Although Negativland is rarely acknowledged as a precursor to mashup music, it is less likely that many contemporary practitioners seek their craft, their fight against various forms of "censorship" (in their terms) and legal coercion (eg, their single "U2" is one of the first pieces of music who were withdrawn because of their use of illegitimate samples "has made them a poster of children for some of the mashup commentators who approach this issue from a more critical perspective, and with an eye to the intricate cultural issues raised by both deliberate and deliberately loot in music and culture in general.
The Tape-beatles
Also known as "Public Works", The Tape-beatles have used collage techniques to create works of material extracted from various sources.
Double Dee and Steinski
Working under the name Steinski, New York copywriter DJ Steve Stein began (along with engineer and fellow boffin studio Doug "Double Dee" DiFranco) the next chapter in the forbidden pop evolution by producing a trio of 12 underground singles (entitled "The Payoff Mix" (1983), "Lesson 2 (The James Brown Mix)" (1984) and "Lesson 3 (History of Hiphop)" (1985)) have had a powerful influence on all generations of "samplists".
John Zorn
John Zorn's 1990 album Naked City features a version of Ornette Coleman's "Lonely Woman" which sets the bass line of Roy Orbison's "Pretty Woman".
Evolution Control Committee
In 1994, the experimental band Evolution Control Committee released the first modern mashup track on their cassette album, Gunderphonic . This "Whipped Cream Mixes" combines a pair of Public Enemy cappellas with instrumental by Herb Alpert and Tijuana Brass. First released on homemade cassettes in early 1992, it was then pressed on 7 "vinyl, and distributed by Eerie Materials in the mid-1990s, the track earned some degree of fame on college radio stations in the United States.
Renaissance
2 Many DJs and "A Stroke of Genie -us "
Pop's name Will Eat Itself was taken from the feature of NME on Jamie Wednesday's band, written by David Quantick, who proposed the theory that because popular music only recycles good ideas continuously, to be written by [combining] the best ideas into one song. Therefore, Pop Will Eat Alone.
This movement gained momentum again in 2001 with the release of the album 2 Many DJs , As Heard on Radio Soulwax Pt. 2 , by brother Dewaele Soulwax, who combines 45 different songs; The same year's remix of Christina Aguilera's "Genie in a Bottle" was also released by Freelance Hellraiser, which incorporated a pop star with New York's The Strokes "Hard To Explain" rough guitar in an infectious herb called "A Stroke of Genie-us".
Software tools
As a result, industry standard tools such as Cubase digital audio workstations and Wavelab sound editors, Soundforge and Cool Edit Pro are quickly becoming scattered everywhere. In addition, new tools like Ableton Live and Sonic Foundry's (now Magix's) ACID Pro are tweaked to accommodate the needs of this new "scene". In particular, features such as beat-mapping (enabling composers to audition samples, playing on appropriate pitch and tempo, in addition to existing compositions) make it easy for many people who have a musical ability but little professional studio experience to knock new combinations in a very short time with traditional tools, such as John Oswald's magnetic tape (and even Coldcut) work hard in their early days.
Mark Vidler, known as Go Home Productions, summarize it by saying the benefits of technology AcidPro like: "You do not need a distributor, because your distribution is the internet. You do not need a record label, because it's your bedroom, and you do not need a recording studio , because that's your computer. you do it yourself. "
Get Your Bootleg, Mashuptown, Bootie , Boomselection, ADD
Around 2001-2002, Boomselection blog was launched. It publishes various challenges that result in hundreds, if not thousands, of new pirates being uploaded to sites around the world. While the scene began as a major phenomenon in Britain, the United States, France, and Germany today are the fertile ground of modern mashup movements. However, there are bootleggers that can be found in almost every corner of the world - wherever Internet connections and record collections can be found - including Australia, Belgium, Switzerland and Sweden.
The Get Your Bootleg on the site (abbreviated GYBO) becomes an important launchpad for new mashup songs, and is home to an online gaming community community that offers criticism of new songs, tips for beginners, hints on where to find cappellas, advice law, publicity for mashup events and general discussions on issues surrounding mashup phenomena.
The name "Get Your Bootleg On" comes from Missy Elliott's song "Get Ur Freak On", which alongside Eminem's "Without Me" remains perhaps the most popular song, manipulated, remixed and reinterpreted from the heyday of the genre. Other popular artists, often bootlegged include Britney Spears, Christina Aguilera, Madonna, and Beyoncà © ©.
In early 2005, Boomselection retired on its own after a long period of inactivity. This year also marked a series of stop-and-break orders being made against a number of pirated sites, and in early 2006, GYBO received the first notice. To survive, the site prohibits sending direct links to copyrighted material within the forum, but allows users to post links to their own sites containing such material, the defense being that GYBO no longer violates copyright law other than Google. For the most part, the community has gathered around the site, and continues to support it in its new form.
The void left by the death of Boomselection was quickly replaced by Mashuptown which began in early 2005 and is currently the largest source of blog mashups on the Internet. This site has recently become an official supplier of mashups to Adam Curry's Daily Code Source podcast.
Also in 2005, Bootie, the largest pirated party in the world, started Bootie Top 10 monthly where he posted to download free ten best mashups, as selected by Bootie creators and DJ A Plus D. Launched in San Francisco in 2003, Bootie is the first club night in the United States dedicated solely to an arts form that evolved from pirated mashups, and now hosts monthly parties in several cities around the world, including Los Angeles, Paris, Boston, Munich and New York City. The party slogan, "Music for the A.D.D. Generation" also inspired the creation of "A.D.D", Israel's first dissolved special party.
Bonna Music and "Enjoy the Sheket"
Law mashings are hard to find, but in some relatively small music markets, legal mashups have been released. Some say that this is because publishers have understood the potential for clearing the right of major international artists to be combined with a local repertoire, to create wider consumption for both artists on a particular path.
In Israel, for example, a group called Bonna Music mixes back the Depeche Mode song "Enjoy the Silence" with Balagan's "Sheket" (Hebrew: ??? ?; "Silence"). This mashup was approved by Martin Gore and officially released a month before Depeche Mode's new album Playing Angel in 2005. It was a big hit locally and when the first single Depeche Mode was released they were more welcome in the market where the repertoire local dominant.
Copy Good Copy
Good Copy Bad Copy is the 2007 documentary on the current status of copyright and culture. It has a heavy focus on the mashup community, which contains interviews with Girl Talk and Danger Mouse that reveal the emerging insights of digital works and the obstacles to presenting their copyright gifts.
Glee
Mash-up has been featured on many episodes of the popular American TV series Glee . They first appeared in the episode "Vitamin D", featuring Bon Jovi's collision "It's My Life" with Usher "Confessions Part II" and Beyoncà ©  © Knowles's "Hello" with "Walking on Sunshine" by Katrina and Waves.
DJ Hero
Video games 2009 DJ Hero brings mash-up along with gameplay elements from the Guitar Hero series use many of the same songs that are regularly cut off in the online remix scene.. In particular, songs that use musical ideas from the "Bitter Sweet Symphony" source credit sample Andrew Oldham Orchestra rather than The Verve, although the use of Verve from the sample and the surrounding legal controversy is what popularized the use of the sample in mash-UPS.
RIP: Remix Manifestation
RIP!: A Remix Manifesto is an open source documentary created by Brett Gaylor and Greg Gillis (Girl Talk). The film consists of remixed clips sent by many contributors to the Open Source Cinema project. This primarily focuses on the legal "gray areas" to copy existing copyrighted works.
Legal issues
Copyright Act of 1976
- Lists the rights of copyright holders in the United States, including some amendments to copyright provisions. This became law in October 1976 and was implemented in January 1978.
- Mashup artists are allowed to recreate original songs during a new song substantially similar to the original song. In turn, the mashup artist has to pay the original artist $ 0.94 for every copy of the song they sell for profit.
- Requesting permission to use songs is not required, as long as payment is made.
Fair Use Law
- There are 4 job factors considered for violations to be through:
- 1. Purpose and character of use
- 2. The nature of the work used
- 3. The number and substantiality of the portion used in relation to the whole
- 4. Effects on the market for the original
Subgenre
A vs B
The original manifestation of mashups in the 2000s was to place acappella against a completely different support line, to create a "third song". Following "A Stroke of Genie-us" in 2001, the genre continued to focus on this basic premise.
Another "opposite" song is "Zombi - Zombie Nation" which combines "Kernkraft 400" Zombie Nation under the Goblin Zombi and is featured on the official soundtrack of the movie Shaun of the Dead .
In addition, Go Home Productions, Party Ben, and DJ BC, among many others, have produced a number of songs that are critically acclaimed in this tone, and in some instances have gained a recording deal behind this exercise, which can be said to function as " demo MP3 "musical skills and their production.
Another example of the official release behind the unofficial can be seen at Illicit's "Fleet Sneaky", which combines Groove Armada's "I See You Baby" with Teddy Pendergrass "You Can not Hide From Yourself". It then played back, re-vocalized and re-released on the Yola Azuli label as "Cheeky Fleet" in September 2001 when it reached number 72 on the UK Singles Chart. Illicit also released many other unofficial "opponent" songs during the same period.
However, not all mash-ups are as simple as A vs B. In some cases, the DJ will hit 3, 4, 5, and even 6 songs to form one complete song. Mixing more than two songs together can be a daunting task, and it requires a lot of skill. In particular, DJ Earworm has combined 25 top annual songs by Billboard into a single mashup since 2007, which has spawned similar creations from popular DJs like Robin Skouteris or Daniel Kim. This mashup is usually uploaded to YouTube and draws a lot of attention in the pop culture world.
Girl Talk is known for its multi-track style; most of his mashups contain samples from 20 to 30 different songs. Girl Talk is famous for the style of "cutting" through different songs and often builds to the climax of the song, where the song settles into a groove before cutting again.
Version vs. Version
Mixing two or more versions of the song to make a duet or alternate version of a song is version v version that must be completed. It can mix two different versions of a song, such as a ballad and an original version, or a cover version of the song. Some of the more popular versions to mixed versions are a mixture of languages, which blend many languages ​​into one song. A slightly less popular style is to hit two different remixes or original and specific remixes of a shared song. Version vs Version mashups usually have the same original instrumental but are sometimes modified to benefit the song.
Abstract Mash Ups
Collage music that refers to the avant-garde music practice and Musique ConcrÃÆ'¨te. This is not meant for dance floors created using any type of music and sound as a valid sound source to be played simultaneously and often manipulated. Beating match and style or aesthetic similarity is not an important factor in this mash. Chaos, dissonance and harmony are possible outcomes.
An early example of this can be heard in John Cage's multi-radio composition "Imaginary Landscapes No. 4" (1951) for 12 radios, 24 players and a conductor. Perhaps the most famous Mash Up Abstract is The Beatles "Revolution 9" featuring their White Albums from 1968 which includes examples of conversations, classical music and edited and manipulated samples played simultaneously. Another example of the psychedelic nature of this mash up can be heard on Pink Floyd's "Heart Beat, Pig Meat" from the movie soundtrack of Zabriskie Point ; "The Beatles Play Locals and Residents Play The Beatles" and The Third Reich 'n Roll album by The Residents and early work by Christian Marclay.
The current example (2013) from Mash Up Abstract can be heard on the radio show by Joel Cahen ( a.k.a. 'Spax') at Resonance fm in London. A series of events that began in 2005, featuring abstract direct mash using MP3, turntables, CDs, DVDs and field recordings simultaneously playing the sound source. The third season of this series, Soundsoup , March 2008-April 2010, changed the style in a more narrative-based direction.
Pop Glitch
Pop glitch is a subgenre of mashup scenes that marry the magical Digital Signal Processing (DSP) associated with Kid 606 and Tigerbeat6 records to a seemingly familiar pop contour. Sometimes this is done with a spirit of "respect"; sometimes serves only as a form of mockery and even slander; often both at the same time.
An example of a "double science" that plays in the pop glitch is the "Dirty Pop" Skipper, which picks up an epic song from a carefully constructed micro-digital microphone (deconstruction of BT * NSYNC's "Pop") and pushes it even further to the suburbs of musical chaos. Similarly, Australian pirated makers and Dsico peach co-conspirators (real name Luke Collinson) have re-created a number of R & amp; B by artists such as The Neptunes and (again) * NSYNC in a spirit that is at once satirical and steeped in fanboydom. In many cases, these remixes make mainstream songs "avant garde" and fresh, sometimes by working against the original spirit, but often by harnessing the flow of sugar in the heart of most of the best contemporary pop, and adding a sonic CGI into the arsenal emotional.
Audio-Viz Mash
SiX DwArF is a non-commercial mashup artist from Scotland in the UK with a twist. He created the genre mashup cross genre but also created a mashup promo video to go with those featured on Mash TV, hosted on Veetle and on various video hosting sites. SiX DwArF also made a homemade promo for fighting over songs that did not have it where he felt he deserved it, received praise from various artists. Mody operandinya is: "No campaign, zero commercial profit, no personal interest.No sacred.Don't do genre... it's stereotyped by another name."
Remixes
Technically, all mashups are remixes. But while most are made entirely of looted material, some pencil makers have united the old cappella song with a completely new composition of their own devices. Examples of popular remix artists that mainly meremix single song but also polish the song is The White Panda. The Chicago-based duo has emerged as one of the biggest DJs to come.
Another popular example with Japanese pop fans is Evil Morning , an album that incorporates vocal tracks from Morning Musume and their related artists with new instrumental tracks that rearrange or replay original music in the style of hard rock or heavy metal.
Pirated albums
Program remixed remixed DJ Danger Mouse The Gray Album effectively launches a new pop subgenre. While The Beatles have made appearances on several mash-up tracks before this album (eg PPM "A Life in the Day" and JPL "Let It Be Missy Elliott (Beatlesmix)"), Gray Album Distinguishes himself by making a full sample of The Beatles White Album and vocals from Jay-Z's The Black Album . This project got a lot of attention following EMI's legal threats to the album's distributors.
Another album is Jon Moskowitz Presents Blue Eyes Meets Bed-Stuy , produced by DJ Cappel & amp; Smitty (2005). This is a remix/mash-up album The Notorious B.I.G. and Frank Sinatra. The project was very well received, with great online and print coverage. It was conceived and executed by Jon Moskowitz. DJ Cappel and Smitty take The Notorious B.I.G. is a cappellas and meremix them with famous Frank Sinatra songs, by donating solos, hooks and Sinatra choruses.
The compilation series of Best Of Bootie mashups is compiled and produced annually by A Plus D, the creator of an international club mashup, Bootie. The compilation has been released in December every year since 2005, and is an annual Internet sensation, with each album collecting over 5000GB downloads.
Cut-up
Although there is some overlap between the terms "cut up" and "mash up", the former refers to pieces that depend on the humor (or pathos) of the reprocessed word and video material. This may be due to the fact that the term "cut-up" was used decades earlier by novelist and artist William S. Burroughs to refer to literary cutups as well as experimental tape recorders, which featured vocal tracks that were spliced ​​in the same way. the written cut-up literally cuts and rearranges various texts.
The most famous cutups remix political speeches and rallies for the effects of satire. Simon Hunt, under the pseudonym Pauline Pantsdown uses Pauline Hanson's speeches, a controversial Australian anti-immigration politician to the parody of I Do not Like It and Backdoor Man songs. Johan SÃÆ'¶derberg's "Endless Love", in which George W. Bush and Tony Blair appear to be serenades like one, Chris Morris "Bushwhacked", a dà © Ã… © tournement of Bush 2003 State of the Union Address , or Sarkoskanking by PolÃÆ'  © mix and La Voix Off, a cut-off from Nicolas Sarkozy's speech.
Famous cut artists include Cassetteboy, Osymyso, rx, Cartel Communique and the Evolution Control Committee.
Famous mash-up artist
Girls Girl Talk
One of the most famous artists in the mashup industry is Gregg Michael Gillis, otherwise known as Girl Talk. He studied engineering at college and then quit the industry in 2007 to focus only on his music career. He is from Pittsburgh, PA and is one of many artists under the record label, Illegal Art, specializing in music sampling. Other artists with Illegal Art include Junk Culture and People Like Us. Girl Talk has released five albums with Illegal Art: Secret Diary, Unstoppable, Night Ripper, Feed the Animals, and All Day. Girl Talk does not believe that they violate any of the factors of Fair Use Law because the law does not specify for mashups and remixes and the length of songs used. As such, Girl Talk feels that they do not have to pay artists who have been paid a fee for the work they use. However, others feel that Girl Talk violates Fair Use Law and must be punished.
Djs from Mars
With the advent of electronic dance music in the mainstream media, the Italian duet Djs from Mars became an important acting in the making of mash-ups. Most famous for mixing different genres, on the beat of the 128BPM club, this duo has toured the world extensively and their mashups have been played by DJs such as David Guetta, Bob Sinclar, Martin Solveig, and others. Wearing a box mask over their heads, the satiric duo had mixed Lady Gaga with Metallica, Skrillex with Oasis and over 30 different songs into one with their "MegBuffuffle MultiBootleg". The success of Djs from Mars was confirmed in March 2011, when the couple opened the show for Tiesto, in Atlantic City.
DJ Earworm
Jordan Roseman (aka DJ Earworm) gained in popularity when he came out with his mashup "United States of Pop" in 2007. Mashup contains the top 25 tracks of the year according to Billboard's Year-End 100 Hot single of 2007. He has since released one in every end of year. Earworm has also released a mashup that he did for Capital FM's Summertime Ball since 2010. In addition, Earworm was asked to make some mixes for the 2012 Summer Olympics to be played in various places in London.
Mashd N Kutcher
Mashd N Kutcher is an Australian live electronic acting set up in 2014. The duo gained acclaim through mashup releases 'Mash Machine', combining rock vocals and pop songs with electronic club music today. The best known for their 'Collab' video mashup style, the duo garnered more than 1 million followers on Facebook, and is known for their live mashup performances throughout North America and Europe, regularly supporting DJ actions such as Borgore, Tiesto and DJ Snake. In 2016 Mashd N Kutcher signed a contract with Universal Music Group and has achieved double gold status with their singles 'Do It Now' and 'My Sunshine'.
dj BC
Bob Cronin (a.k.a.j BC) has been heard on radio stations from New York to Paris. He is known for establishing Mash Ave and Bootie Boston. dj BC was associated with the band The Beastles fiction created BC in 2004. The band is a combination of music from The Beatles and Beastie Boys. Band BC has released three albums, dj BC presenting The Beastles , Let It Beast , and Ill Submarine . Another famous work from BC is Glassbreaks, where Philip Glass music is combined with artists such as Lil Jon and Kanye West, and Wu Orleans , a mashup of WANS Clan and music locally discovered in New Orleans, Louisiana for the first anniversary of Hurricane Katrina.
Max Tannone
Max Tannone is a New York-based producer who has released several mashup albums. She is most famous for her first album titled Jaydiohead released in 2009. The album combines Jay-Z and Radiohead music. Tannone has released seven more albums, Doublecheck Your Head , Mos Dub , Dub Kweli , Selene , Ghostfunk , Mic Check 1234! , and Champagne Jerry - For Real, You Guys .
The Kleptones
The Kleptones is a one-man music group led by British producer Eric Kleptone. Their first release was in 2003 with their album Yoshimi Battles the Hip-Hop Robots . It was not until 2004 although they received attention with their album A Night at the Hip-Hopera. The album combines Queen's music with a wide selection of music from rap, movies, and various other sources. In 2005, Eric Kleptone was awarded the Webby Award for Artist of the Year by the International Academy of Digital Arts and Sciences.
​​â € <â €
NY-based DJ Craigory Morgoone (aka DJ Cummerbund) received worldwide attention and critical praise after releasing his "Sound of Smash Mouth" mashup featuring sad movie scenes to accompany the All Star melancholy amalgamation by Smash Mouth and The Sound cover of Silence by an American heavy metal band, Disturbed. Since then, he has continued to release mashups through YouTube and occasionally perform live DJ shows in the NY metro area.
Doom Legion
The Legion of Doom is an electronic production team consisting of Chad Blinman and Trever Keith. This group is best known for their albums Included featuring various mashups A vs B style. The album was originally leaked online because some artists did not want their music to be used in mashups. This album has been released through Illegal Art.
The Hood Internet
The Hood Internet is a Chicago duo consisting of Aaron Brink and Steve Reidell. This duo specializes in combining hip hop and indie rock music. They have released one studio album, FEAT released under the Decon record label. In 2009 at the BRIT Awards, The Ting Tings music group featured songs released by The Hood Internet the year before. This couple is The Ting Ting "Shut Up and Let Me Go" and "American Boy" by Estelle.
Madeon
French DJ and producer Hugo Pierre Leclercq (a.k.a.Beon) received praise when his YouTube video "Pop Culture", in which Leclercq performed live mashup, became viral. She has released three more mashups along with several remixes, singles, and production and song credits. In addition, he has released two EPs, The City and Japan Only EP .
Famous mash-up album
- Album by A-Trak
- 2007: fr: Southern Dirty Dance
- Albums by Girl Talk
- 2003: Unstoppable
- 2006: Night Ripper
- 2008: Feeding Animals
- 2010: All Day
- Album by The Kleptones
- 2003: Yoshimi Fighting Hip-Hop Robot (rapper over Flaming Lips' Yoshimi Against Young Pink Robot )
- 2004: Evening at Hip Hopera (rapper over Queen)
- 2010: Uptime/Downtime
- Album by Max Tannone
- 2009: Jaydiohead
- 2009: Doublecheck Your Head
- 2010: Mos Dub
- 2010: Dub Kweli
- Album with what waits
- 2010: the famous xx
- Album by TenDJiz
- 2011: De La Soulviet - De La Soul with Soviet soul and jazz
- 2012: Similarities - General and Nas with Soviet soul and jazz
Album by Neil Cicierega
- 2014: Mouth Sound
- 2014: Mouth Silence
- 2017: Mood of the Mouth
- Other famous albums and individual tracks The album by Dean Gray (a collaboration between Party Ben and Team9) is based on Green Day's album Idiot and carries the version original from one of the most famous mashups, "Boulevard of Broken Songs".
See also
- Mashup (culture)
- Mashup (video)
- Voice collage
- Plunderphonics
- Anyone to
- Parody music
- Quodlibet
- Pastiche
- "One Song for Other Songs"
References
Further reading
- Paul Morley (2003). Words and Music: Pop History in City Form . Bloomsbury. ISBNÃ, 0-7475-5778-0.
- Jeremy J. Beadle (1993). Will Pop Eat Alone? Faber & amp; Faber. ISBN: 0-571-16241-X.
- Roseman, Jordan (2006). Mashup Audio Construction Kit . ISBNÃ, 0-471-77195-3.
- Hughes, J & amp; Lang, K. (2006). Transmutability: Digital Decontextualization, Manipulation, and Recontextualization as a Source of New Values ​​in the Production and Consumption of Cultural Products. In Proceedings of the 39th Annual International Conference of Hawaii on System Science - Volume 08.
- Sinnreich, Aram (2010). Mashed Up: Music, Technology & amp; Configurable Cultural Awakening [4]. ISBNÃ, 1-55849-829-X.
Source of the article : Wikipedia
0 Comments